{"id":464,"date":"2026-01-09T16:33:38","date_gmt":"2026-01-09T16:33:38","guid":{"rendered":"https:\/\/third-eye-studio.com\/?page_id=464"},"modified":"2026-02-12T20:35:35","modified_gmt":"2026-02-12T20:35:35","slug":"acoustic-and-equipment","status":"publish","type":"page","link":"https:\/\/third-eye-studio.com\/fa\/acoustic-and-equipment\/","title":{"rendered":"Studio"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; disabled_on=&#8221;on|on|off&#8221; admin_label=&#8221;Bild mit Logo Desktop &#8221; _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#DBDBDB&#8221; background_image=&#8221;https:\/\/third-eye-studio.com\/wp-content\/uploads\/2026\/01\/DSC01914-2-scaled.jpeg&#8221; background_size=&#8221;contain&#8221; vertical_offset=&#8221;0px&#8221; width=&#8221;100%&#8221; max_width=&#8221;100%&#8221; locked=&#8221;off&#8221; collapsed=&#8221;off&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; make_equal=&#8221;on&#8221; admin_label=&#8221;Zeile&#8221; _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; background_enable_image=&#8221;off&#8221; width=&#8221;100%&#8221; min_height=&#8221;800px&#8221; custom_margin=&#8221;|||0px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/third-eye-studio.com\/wp-content\/uploads\/2025\/12\/TES-Logo-w.png&#8221; title_text=&#8221;TES-Logo-w&#8221; disabled_on=&#8221;on|on|off&#8221; admin_label=&#8221;Logo Desktop&#8221; _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#706D54&#8243; positioning=&#8221;relative&#8221; position_origin_r=&#8221;bottom_left&#8221; width=&#8221;90%&#8221; custom_margin=&#8221;600px|||-25px|false|false&#8221; custom_padding=&#8221;30px|50px|30px|100px|true|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Headline und Text&#8221; _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;16px&#8221; background_enable_image=&#8221;off&#8221; background_layout=&#8221;dark&#8221; custom_margin=&#8221;20px||||false|false&#8221; custom_padding=&#8221;||||true|false&#8221; hover_enabled=&#8221;0&#8243; content_de_de=&#8221;<\/p>\n<div dir=%22ltr%22>\n<h3 style=%22text-align: center;%22><strong>Akustik &amp; Monitoring im Third Eye Studio<\/strong><\/h3>\n<p>&nbsp;<\/p>\n<p style=%22text-align: left;%22>Im <strong>Third Eye Studio<\/strong> wird die H\u00f6rumgebung als wesentlicher Teil des kreativen Prozesses behandelt. Das Studio ist rund um einen akustisch optimierten Kontrollraum aufgebaut, der eine ruhige, pr\u00e4zise und verl\u00e4ssliche Monitoring-Umgebung f\u00fcr Mixing und Mastering bietet.<\/p>\n<p style=%22text-align: left;%22>Jedes Detail, von Raumdimensionen und akustischer Behandlung bis hin zu Erdung und Signalfluss, wurde sorgf\u00e4ltig durchdacht, um Genauigkeit und Konsistenz zu gew\u00e4hrleisten. Der Raum ist f\u00fcr extreme Pr\u00e4zision konzipiert und verf\u00fcgt \u00fcber eine stark kontrollierte Nachhallzeit von etwa <strong>0,1 Sekunden<\/strong>, die selbst unter <strong>30 Hz<\/strong> sauber erhalten bleibt.<\/p>\n<p style=%22text-align: left;%22>Dieses Ergebnis wird durch eine Kombination aus Breitband-Bassabsorption und aktiven Bassabsorbersystemen erreicht, wodurch eine au\u00dfergew\u00f6hnlich gleichm\u00e4\u00dfige Frequenzwiedergabe und eine immersive, ausgewogene Schallausbreitung entstehen. So k\u00f6nnen kritische Entscheidungen mit Sicherheit getroffen werden, basierend auf dem, was in der Musik tats\u00e4chlich passiert, statt auf Vermutungen oder Klangf\u00e4rbung.<\/p>\n<p style=%22text-align: left;%22>Das Ergebnis ist ein Raum mit au\u00dfergew\u00f6hnlicher Klarheit, Tiefe und Stereo-Genauigkeit, unterst\u00fctzt von einem hochaufl\u00f6senden Monitoring-System und einer sorgf\u00e4ltig kuratierten analogen Ausstattung. Jedes Ger\u00e4t wurde nach jahrelangem H\u00f6ren ausgew\u00e4hlt und bildet eine analoge Kette, die wie ein Instrument reagiert und es erm\u00f6glicht, Klang mit Absicht, Sensibilit\u00e4t und Musikalit\u00e4t zu formen.<\/p>\n<p style=%22text-align: left;%22>Diese Umgebung erlaubt intuitives Arbeiten bei gleichzeitiger technischer Pr\u00e4zision und stellt sicher, dass Mixe und Masters zuverl\u00e4ssig auf allen Wiedergabesystemen wiedergegeben werden.<\/p>\n<h5 style=%22margin-top: 0px; margin-bottom: 10px; text-align: center;%22>Equipment<\/h5>\n<div style=%22display: flex; gap: 36px; flex-wrap: wrap; font-size: 0.9em; line-height: 1.4;%22>\n<div style=%22flex: 1 1 0%; min-width: 220px; text-align: center;%22><strong>Hardware<\/strong><br \/>Focal Trio11 Be<br \/>Lynx Studio Hilo 2 TB3<br \/>RME ADI-2\/4 Pro SE<br \/>RME Fireface UFX III<br \/>Thermionic Culture Phoenix Mastering Plus<br \/>Gyraf Audio G14-S<br \/>Custom Audio Germany HDE 250<\/div>\n<div style=%22flex: 1 1 0%; min-width: 220px; text-align: center;%22><strong>Software<\/strong><br \/>Steinberg WaveLab<br \/>Ableton Live<br \/>FabFilter<br \/>iZotope<br \/>Brainworx<br \/>Soundtoys<br \/>Arturia<br \/>Und vieles mehr..<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<ul style=%22list-style: none; margin: 0; padding-left: 0; line-height: 1.4;%22>\n<li style=%22text-align: center;%22>\u00a0<\/li>\n<\/ul>\n<\/div>\n<p>&#8221; content_fa_ir=&#8221;<\/p>\n<div dir=%22rtl%22>\n<h3 style=%22text-align: center;%22><strong>\u0622\u06a9\u0648\u0633\u062a\u06cc\u06a9 \u0648 \u0645\u0627\u0646\u06cc\u062a\u0648\u0631\u06cc\u0646\u06af \u062f\u0631 Third Eye Studio<\/strong><\/h3>\n<p>&nbsp;<\/p>\n<p style=%22text-align: right;%22>\u062f\u0631 <strong>Third Eye Studio<\/strong>\u060c \u0645\u062d\u06cc\u0637 \u0634\u0646\u06cc\u062f\u0627\u0631\u06cc \u0628\u0647\u200c\u0639\u0646\u0648\u0627\u0646 \u0628\u062e\u0634\u06cc \u062d\u06cc\u0627\u062a\u06cc \u0627\u0632 \u0641\u0631\u0622\u06cc\u0646\u062f \u062e\u0644\u0627\u0642\u0627\u0646\u0647 \u062f\u0631 \u0646\u0638\u0631 \u06af\u0631\u0641\u062a\u0647 \u0645\u06cc\u200c\u0634\u0648\u062f. \u0627\u0633\u062a\u0648\u062f\u06cc\u0648 \u0628\u0631 \u067e\u0627\u06cc\u0647\u0654 \u06cc\u06a9 \u0627\u062a\u0627\u0642 \u06a9\u0646\u062a\u0631\u0644 \u0628\u0647\u200c\u0635\u0648\u0631\u062a \u062f\u0642\u06cc\u0642 \u0627\u0632 \u0646\u0638\u0631 \u0622\u06a9\u0648\u0633\u062a\u06cc\u06a9\u06cc \u0637\u0631\u0627\u062d\u06cc \u0634\u062f\u0647 \u0627\u0633\u062a \u06a9\u0647 \u0641\u0636\u0627\u06cc\u06cc \u0622\u0631\u0627\u0645\u060c \u062f\u0642\u06cc\u0642 \u0648 \u0642\u0627\u0628\u0644 \u0627\u0639\u062a\u0645\u0627\u062f \u0628\u0631\u0627\u06cc \u0645\u06cc\u06a9\u0633 \u0648 \u0645\u0633\u062a\u0631\u06cc\u0646\u06af \u0641\u0631\u0627\u0647\u0645 \u0645\u06cc\u200c\u06a9\u0646\u062f.<\/p>\n<p style=%22text-align: right;%22>\u0647\u0631 \u062c\u0632\u0626\u06cc\u0627\u062a\u060c \u0627\u0632 \u0627\u0628\u0639\u0627\u062f 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\u0641\u0646\u06cc \u0628\u0627\u0644\u0627 \u0641\u0631\u0627\u0647\u0645 \u0645\u06cc\u200c\u0633\u0627\u0632\u062f \u0648 \u062a\u0636\u0645\u06cc\u0646 \u0645\u06cc\u200c\u06a9\u0646\u062f \u06a9\u0647 \u0645\u06cc\u06a9\u0633\u200c\u0647\u0627 \u0648 \u0645\u0633\u062a\u0631\u0647\u0627 \u0631\u0648\u06cc \u062a\u0645\u0627\u0645\u06cc \u0633\u06cc\u0633\u062a\u0645\u200c\u0647\u0627\u06cc \u067e\u062e\u0634\u060c \u062a\u0631\u062c\u0645\u0647\u200c\u0627\u06cc \u0642\u0627\u0628\u0644 \u0627\u0639\u062a\u0645\u0627\u062f \u062f\u0627\u0634\u062a\u0647 \u0628\u0627\u0634\u0646\u062f.<\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div dir=%22rtl%22>\n<h4>\u00a0<\/h4>\n<h4 style=%22text-align: center;%22><strong>\u062a\u062c\u0647\u06cc\u0632\u0627\u062a<\/strong><\/h4>\n<div style=%22display: flex; gap: 36px; flex-wrap: wrap; font-size: 0.9em; line-height: 1.4;%22>\n<div style=%22flex: 1 1 0%; min-width: 220px; text-align: center;%22><strong>\u0633\u062e\u062a\u200c\u0627\u0641\u0632\u0627\u0631<\/strong><br \/>Focal Trio11 Be<br \/>Lynx Studio Hilo 2 TB3<br \/>RME ADI-2\/4 Pro SE<br \/>RME Fireface UFX III<br \/>Thermionic Culture Phoenix Mastering Plus<br \/>Gyraf Audio G14-S<br \/>Custom Audio Germany HDE 250<\/div>\n<div style=%22flex: 1 1 0%; min-width: 220px; text-align: center;%22><strong>\u0646\u0631\u0645\u200c\u0627\u0641\u0632\u0627\u0631<\/strong><br \/>Steinberg WaveLabAbleton Live<br \/>FabFilter<br \/>iZotope<br \/>Brainworx<br \/>Soundtoys<br \/>Arturia<br \/>\u0648 \u0628\u0633\u06cc\u0627\u0631\u06cc \u062f\u06cc\u06af\u0631.<\/div>\n<\/div>\n<\/div>\n<p>&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div style=\"font-size: 0.95em; line-height: 1.45;\">\n<h3 style=\"text-align: center;\"><strong>Acoustics &amp; Monitoring at Third Eye Studio<\/strong><\/h3>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">At Third Eye Studio, the listening environment is treated as an essential part of the creative process. The studio is built around an acoustically optimized control room, designed to provide a quiet, precise, and reliable monitoring environment for mixing and mastering.<\/p>\n<p style=\"text-align: left;\">Every detail, from room dimensions and acoustic treatment to electrical grounding and signal flow, has been carefully considered to ensure accuracy and consistency. The room is designed for extreme precision, featuring a highly controlled reverberation time of approximately <strong>0.1 seconds<\/strong>, extending cleanly even below <strong>30 Hz<\/strong>.<\/p>\n<p style=\"text-align: left;\">This result is achieved through a combination of wideband bass absorption and active bass absorber systems, creating an exceptionally even frequency response and immersive, well-balanced sound dispersion. This allows critical decisions to be made with confidence, based on what is truly happening in the music rather than guesswork or coloration.<\/p>\n<p style=\"text-align: left;\">The result is a space with exceptional clarity, depth, and stereo accuracy, supported by a high-resolution monitoring system and a carefully curated analog setup. Each piece of gear was selected after many years of critical listening, forming an analog chain that reacts like an instrument, allowing sound to be shaped with intention, sensitivity, and musicality.<\/p>\n<p style=\"margin-bottom: 18px; text-align: left;\">This environment enables intuitive work while maintaining technical precision, ensuring that mixes and masters translate reliably across all playback systems.<\/p>\n<h5 style=\"margin-top: 0px; margin-bottom: 10px; text-align: center;\">Equipment<\/h5>\n<div style=\"display: flex; gap: 36px; flex-wrap: wrap; font-size: 0.9em; line-height: 1.4;\">\n<div style=\"flex: 1 1 0%; min-width: 220px; text-align: center;\"><strong>Hardware<\/strong><br \/>Focal Trio11 Be<br \/>Lynx Studio Hilo 2 TB3<br \/>RME ADI-2\/4 Pro SE<br \/>RME Fireface UFX III<br \/>Thermionic Culture Phoenix Mastering Plus<br \/>Gyraf Audio G14-S<br \/>Custom Audio Germany HDE 250<\/div>\n<div style=\"flex: 1 1 0%; min-width: 220px; text-align: center;\"><strong>Software<\/strong><br \/>Steinberg WaveLab<br \/>Ableton Live<br \/>FabFilter<br \/>iZotope<br \/>Brainworx<br \/>Soundtoys<br \/>Arturia<br \/>And many others<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; disabled_on=&#8221;off|off|on&#8221; admin_label=&#8221;Bild mit Logo  Mobile&#8221; _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; background_image=&#8221;https:\/\/third-eye-studio.com\/wp-content\/uploads\/2026\/01\/DSC01914-2-scaled.jpeg&#8221; vertical_offset=&#8221;0px&#8221; width=&#8221;100%&#8221; max_width=&#8221;100%&#8221; locked=&#8221;off&#8221; collapsed=&#8221;on&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; make_equal=&#8221;on&#8221; admin_label=&#8221;Zeile&#8221; _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; background_enable_image=&#8221;off&#8221; width=&#8221;100%&#8221; min_height=&#8221;800px&#8221; custom_margin=&#8221;|||0px|false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_image src=&#8221;https:\/\/third-eye-studio.com\/wp-content\/uploads\/2025\/12\/TES-Logo-w.png&#8221; title_text=&#8221;TES-Logo-w&#8221; disabled_on=&#8221;on|on|off&#8221; admin_label=&#8221;Logo Desktop&#8221; _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#706D54&#8243; positioning=&#8221;relative&#8221; position_origin_r=&#8221;bottom_left&#8221; width=&#8221;90%&#8221; custom_margin=&#8221;600px|||-25px|false|false&#8221; custom_padding=&#8221;30px|50px|30px|100px|true|false&#8221; global_colors_info=&#8221;{}&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text admin_label=&#8221;Headline und Text&#8221; _builder_version=&#8221;4.27.5&#8243; _module_preset=&#8221;default&#8221; text_font_size=&#8221;16px&#8221; background_enable_image=&#8221;off&#8221; background_layout=&#8221;dark&#8221; custom_margin=&#8221;-5px|10px||10px|false|true&#8221; custom_padding=&#8221;||||true|false&#8221; content_de_de=&#8221;<\/p>\n<div dir=%22ltr%22>\n<h3 style=%22text-align: center;%22><strong>Akustik &#038; Monitoring im Third Eye Studio<\/strong><\/h3>\n<\/p>\n<p style=%22text-align: left;%22>Im <strong>Third Eye Studio<\/strong> wird die H\u00f6rumgebung als wesentlicher Teil des kreativen Prozesses behandelt. Das Studio ist rund um einen akustisch optimierten Kontrollraum aufgebaut, der eine ruhige, pr\u00e4zise und verl\u00e4ssliche Monitoring-Umgebung f\u00fcr Mixing und Mastering bietet.<\/p>\n<p style=%22text-align: left;%22>Jedes Detail, von Raumdimensionen und akustischer Behandlung bis hin zu Erdung und Signalfluss, wurde sorgf\u00e4ltig durchdacht, um Genauigkeit und Konsistenz zu gew\u00e4hrleisten. Der Raum ist f\u00fcr extreme Pr\u00e4zision konzipiert und verf\u00fcgt \u00fcber eine stark kontrollierte Nachhallzeit von etwa <strong>0,1 Sekunden<\/strong>, die selbst unter <strong>30 Hz<\/strong> sauber erhalten bleibt.<\/p>\n<p style=%22text-align: left;%22>Dieses Ergebnis wird durch eine Kombination aus Breitband-Bassabsorption und aktiven Bassabsorbersystemen erreicht, wodurch eine au\u00dfergew\u00f6hnlich gleichm\u00e4\u00dfige Frequenzwiedergabe und eine immersive, ausgewogene Schallausbreitung entstehen. So k\u00f6nnen kritische Entscheidungen mit Sicherheit getroffen werden, basierend auf dem, was in der Musik tats\u00e4chlich passiert, statt auf Vermutungen oder Klangf\u00e4rbung.<\/p>\n<p style=%22text-align: left;%22>Das Ergebnis ist ein Raum mit au\u00dfergew\u00f6hnlicher Klarheit, Tiefe und Stereo-Genauigkeit, unterst\u00fctzt von einem hochaufl\u00f6senden Monitoring-System und einer sorgf\u00e4ltig kuratierten analogen Ausstattung. Jedes Ger\u00e4t wurde nach jahrelangem H\u00f6ren ausgew\u00e4hlt und bildet eine analoge Kette, die wie ein Instrument reagiert und es erm\u00f6glicht, Klang mit Absicht, Sensibilit\u00e4t und Musikalit\u00e4t zu formen.<\/p>\n<p style=%22text-align: left;%22>Diese Umgebung erlaubt intuitives Arbeiten bei gleichzeitiger technischer Pr\u00e4zision und stellt sicher, dass Mixe und Masters zuverl\u00e4ssig auf allen Wiedergabesystemen wiedergegeben werden.<\/p>\n<h5 style=%22margin-top: 0px; margin-bottom: 10px; text-align: center;%22>Equipment<\/h5>\n<div style=%22display: flex; gap: 36px; flex-wrap: wrap; font-size: 0.9em; line-height: 1.4;%22>\n<div style=%22flex: 1 1 0%; min-width: 220px; text-align: center;%22><strong>Hardware<\/strong><br \/>Focal Trio11 Be<br \/>Lynx Studio Hilo 2 TB3<br \/>RME ADI-2\/4 Pro SE<br \/>RME Fireface UFX III<br \/>Thermionic Culture Phoenix Mastering Plus<br \/>Gyraf Audio G14-S<br \/>Custom Audio Germany HDE 250<\/div>\n<div style=%22flex: 1 1 0%; min-width: 220px; text-align: center;%22><strong>Software<\/strong><br \/>Steinberg WaveLab<br \/>Ableton Live<br \/>FabFilter<br \/>iZotope<br \/>Brainworx<br \/>Soundtoys<br \/>Arturia<br \/>Und vieles mehr..<\/div>\n<\/div>\n<ul style=%22list-style: none; margin: 0; padding-left: 0; line-height: 1.4;%22>\n<li style=%22text-align: center;%22> <\/li>\n<\/ul>\n<\/div>\n<p>&#8221; content_fa_ir=&#8221;<\/p>\n<div dir=%22rtl%22>\n<h3 style=%22text-align: center;%22><strong>\u0622\u06a9\u0648\u0633\u062a\u06cc\u06a9 \u0648 \u0645\u0627\u0646\u06cc\u062a\u0648\u0631\u06cc\u0646\u06af \u062f\u0631 Third Eye Studio<\/strong><\/h3>\n<\/p>\n<p style=%22text-align: right;%22>\u062f\u0631 <strong>Third Eye Studio<\/strong>\u060c \u0645\u062d\u06cc\u0637 \u0634\u0646\u06cc\u062f\u0627\u0631\u06cc \u0628\u0647\u200c\u0639\u0646\u0648\u0627\u0646 \u0628\u062e\u0634\u06cc \u062d\u06cc\u0627\u062a\u06cc \u0627\u0632 \u0641\u0631\u0622\u06cc\u0646\u062f \u062e\u0644\u0627\u0642\u0627\u0646\u0647 \u062f\u0631 \u0646\u0638\u0631 \u06af\u0631\u0641\u062a\u0647 \u0645\u06cc\u200c\u0634\u0648\u062f. \u0627\u0633\u062a\u0648\u062f\u06cc\u0648 \u0628\u0631 \u067e\u0627\u06cc\u0647\u0654 \u06cc\u06a9 \u0627\u062a\u0627\u0642 \u06a9\u0646\u062a\u0631\u0644 \u0628\u0647\u200c\u0635\u0648\u0631\u062a \u062f\u0642\u06cc\u0642 \u0627\u0632 \u0646\u0638\u0631 \u0622\u06a9\u0648\u0633\u062a\u06cc\u06a9\u06cc \u0637\u0631\u0627\u062d\u06cc \u0634\u062f\u0647 \u0627\u0633\u062a \u06a9\u0647 \u0641\u0636\u0627\u06cc\u06cc \u0622\u0631\u0627\u0645\u060c \u062f\u0642\u06cc\u0642 \u0648 \u0642\u0627\u0628\u0644 \u0627\u0639\u062a\u0645\u0627\u062f \u0628\u0631\u0627\u06cc \u0645\u06cc\u06a9\u0633 \u0648 \u0645\u0633\u062a\u0631\u06cc\u0646\u06af \u0641\u0631\u0627\u0647\u0645 \u0645\u06cc\u200c\u06a9\u0646\u062f.<\/p>\n<p style=%22text-align: right;%22>\u0647\u0631 \u062c\u0632\u0626\u06cc\u0627\u062a\u060c \u0627\u0632 \u0627\u0628\u0639\u0627\u062f \u0627\u062a\u0627\u0642 \u0648 \u0637\u0631\u0627\u062d\u06cc \u0622\u06a9\u0648\u0633\u062a\u06cc\u06a9\u06cc \u06af\u0631\u0641\u062a\u0647 \u062a\u0627 \u0627\u062a\u0635\u0627\u0644 \u0632\u0645\u06cc\u0646 \u0648 \u062c\u0631\u06cc\u0627\u0646 \u0633\u06cc\u06af\u0646\u0627\u0644\u060c \u0628\u0627 \u062f\u0642\u062a \u06a9\u0627\u0645\u0644 \u0628\u0631\u0631\u0633\u06cc \u0648 \u067e\u06cc\u0627\u062f\u0647\u200c\u0633\u0627\u0632\u06cc \u0634\u062f\u0647 \u0627\u0633\u062a \u062a\u0627 \u062f\u0642\u062a \u0648 \u0627\u0646\u0633\u062c\u0627\u0645 \u062d\u0641\u0638 \u0634\u0648\u062f. \u0627\u06cc\u0646 \u0641\u0636\u0627 \u0628\u0631\u0627\u06cc \u0628\u0627\u0644\u0627\u062a\u0631\u06cc\u0646 \u0633\u0637\u062d \u0627\u0632 \u062f\u0642\u062a \u0637\u0631\u0627\u062d\u06cc \u0634\u062f\u0647 \u0648 \u062f\u0627\u0631\u0627\u06cc \u0632\u0645\u0627\u0646 \u0628\u0627\u0632\u062a\u0627\u0628 \u06a9\u0646\u062a\u0631\u0644\u200c\u0634\u062f\u0647\u200c\u0627\u06cc \u062f\u0631 \u062d\u062f\u0648\u062f <strong>\u06f0\u066b\u06f1 \u062b\u0627\u0646\u06cc\u0647<\/strong> \u0627\u0633\u062a \u06a9\u0647 \u062d\u062a\u06cc \u062f\u0631 \u0641\u0631\u06a9\u0627\u0646\u0633\u200c\u0647\u0627\u06cc \u0632\u06cc\u0631 <strong>\u06f3\u06f0 \u0647\u0631\u062a\u0632<\/strong> \u0646\u06cc\u0632 \u0628\u0647\u200c\u0635\u0648\u0631\u062a \u0634\u0641\u0627\u0641 \u0648 \u067e\u0627\u06cc\u062f\u0627\u0631 \u062d\u0641\u0638 \u0645\u06cc\u200c\u0634\u0648\u062f.<\/p>\n<p style=%22text-align: right;%22>\u0627\u06cc\u0646 \u0646\u062a\u06cc\u062c\u0647 \u0627\u0632 \u0637\u0631\u06cc\u0642 \u062a\u0631\u06a9\u06cc\u0628\u06cc \u0627\u0632 \u062c\u0630\u0628 \u0628\u0627\u0633 \u067e\u0647\u0646\u200c\u0628\u0627\u0646\u062f \u0648 \u0633\u06cc\u0633\u062a\u0645\u200c\u0647\u0627\u06cc \u0641\u0639\u0627\u0644 \u062c\u0630\u0628 \u0628\u0627\u0633 \u0628\u0647 \u062f\u0633\u062a \u0622\u0645\u062f\u0647 \u0627\u0633\u062a \u06a9\u0647 \u0645\u0646\u062c\u0631 \u0628\u0647 \u067e\u0627\u0633\u062e 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\u0628\u0627\u0644\u0627 \u0641\u0631\u0627\u0647\u0645 \u0645\u06cc\u200c\u0633\u0627\u0632\u062f \u0648 \u062a\u0636\u0645\u06cc\u0646 \u0645\u06cc\u200c\u06a9\u0646\u062f \u06a9\u0647 \u0645\u06cc\u06a9\u0633\u200c\u0647\u0627 \u0648 \u0645\u0633\u062a\u0631\u0647\u0627 \u0631\u0648\u06cc \u062a\u0645\u0627\u0645\u06cc \u0633\u06cc\u0633\u062a\u0645\u200c\u0647\u0627\u06cc \u067e\u062e\u0634\u060c \u062a\u0631\u062c\u0645\u0647\u200c\u0627\u06cc \u0642\u0627\u0628\u0644 \u0627\u0639\u062a\u0645\u0627\u062f \u062f\u0627\u0634\u062a\u0647 \u0628\u0627\u0634\u0646\u062f.<\/p>\n<h4> <\/h4>\n<h4 style=%22text-align: center;%22><strong>\u062a\u062c\u0647\u06cc\u0632\u0627\u062a<\/strong><\/h4>\n<div style=%22display: flex; gap: 36px; flex-wrap: wrap; font-size: 0.9em; line-height: 1.4;%22>\n<div style=%22flex: 1 1 0%; min-width: 220px; text-align: center;%22><strong>\u0633\u062e\u062a\u200c\u0627\u0641\u0632\u0627\u0631<\/strong><br \/>Focal Trio11 Be<br \/>Lynx Studio Hilo 2 TB3<br \/>RME ADI-2\/4 Pro SE<br \/>RME Fireface UFX III<br \/>Thermionic Culture Phoenix Mastering Plus<br \/>Gyraf Audio G14-S<br \/>Custom Audio Germany HDE 250<\/div>\n<div style=%22flex: 1 1 0%; min-width: 220px; text-align: center;%22><strong>\u0646\u0631\u0645\u200c\u0627\u0641\u0632\u0627\u0631<\/strong><br \/>Steinberg WaveLabAbleton Live<br \/>FabFilter<br \/>iZotope<br \/>Brainworx<br \/>Soundtoys<br \/>Arturia<br \/>\u0648 \u0628\u0633\u06cc\u0627\u0631\u06cc \u062f\u06cc\u06af\u0631.<\/div>\n<\/div>\n<\/div>\n<p>&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div style=\"font-size: 0.95em; line-height: 1.45;\">\n<h3 style=\"text-align: center;\"><strong>Acoustics &amp; Monitoring at Third Eye Studio<\/strong><\/h3>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\">At Third Eye Studio, the listening environment is treated as an essential part of the creative process. The studio is built around an acoustically optimized control room, designed to provide a quiet, precise, and reliable monitoring environment for mixing and mastering.<\/p>\n<p style=\"text-align: left;\">Every detail, from room dimensions and acoustic treatment to electrical grounding and signal flow, has been carefully considered to ensure accuracy and consistency. The room is designed for extreme precision, featuring a highly controlled reverberation time of approximately <strong>0.1 seconds<\/strong>, extending cleanly even below <strong>30 Hz<\/strong>.<\/p>\n<p style=\"text-align: left;\">This result is achieved through a combination of wideband bass absorption and active bass absorber systems, creating an exceptionally even frequency response and immersive, well-balanced sound dispersion. This allows critical decisions to be made with confidence, based on what is truly happening in the music rather than guesswork or coloration.<\/p>\n<p style=\"text-align: left;\">The result is a space with exceptional clarity, depth, and stereo accuracy, supported by a high-resolution monitoring system and a carefully curated analog setup. Each piece of gear was selected after many years of critical listening, forming an analog chain that reacts like an instrument, allowing sound to be shaped with intention, sensitivity, and musicality.<\/p>\n<p style=\"margin-bottom: 18px; text-align: left;\">This environment enables intuitive work while maintaining technical precision, ensuring that mixes and masters translate reliably across all playback systems.<\/p>\n<h5 style=\"margin-top: 0px; margin-bottom: 10px; text-align: center;\">Equipment<\/h5>\n<div style=\"display: flex; gap: 36px; flex-wrap: wrap; font-size: 0.9em; line-height: 1.4;\">\n<div style=\"flex: 1 1 0%; min-width: 220px; text-align: center;\"><strong>Hardware<\/strong><br \/>Focal Trio11 Be<br \/>Lynx Studio Hilo 2 TB3<br \/>RME ADI-2\/4 Pro SE<br \/>RME Fireface UFX III<br \/>Thermionic Culture Phoenix Mastering Plus<br \/>Gyraf Audio G14-S<br \/>Custom Audio Germany HDE 250<\/div>\n<div style=\"flex: 1 1 0%; min-width: 220px; text-align: center;\"><strong>Software<\/strong><br \/>Steinberg WaveLab<br \/>Ableton Live<br \/>FabFilter<br \/>iZotope<br \/>Brainworx<br \/>Soundtoys<br \/>Arturia<br \/>And many others<\/div>\n<\/div>\n<\/div>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Acoustics &amp; Monitoring at Third Eye Studio &nbsp; At Third Eye Studio, the listening environment is treated as an essential part of the creative process. The studio is built around an acoustically optimized control room, designed to provide a quiet, precise, and reliable monitoring environment for mixing and mastering. Every detail, from room dimensions and [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-464","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/third-eye-studio.com\/fa\/wp-json\/wp\/v2\/pages\/464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/third-eye-studio.com\/fa\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/third-eye-studio.com\/fa\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/third-eye-studio.com\/fa\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/third-eye-studio.com\/fa\/wp-json\/wp\/v2\/comments?post=464"}],"version-history":[{"count":164,"href":"https:\/\/third-eye-studio.com\/fa\/wp-json\/wp\/v2\/pages\/464\/revisions"}],"predecessor-version":[{"id":3409,"href":"https:\/\/third-eye-studio.com\/fa\/wp-json\/wp\/v2\/pages\/464\/revisions\/3409"}],"wp:attachment":[{"href":"https:\/\/third-eye-studio.com\/fa\/wp-json\/wp\/v2\/media?parent=464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}